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Content
Hello and welcome to another video quickly, getting you the very top grades today, we are in the five key, quote series.
And this is my way to get you into the top grades without too many quotations I'll be going through my fuss way method and showing you how this applies to war, fertile and I'll show you how to get full marks just having these five quotations that I've highlighted we'll deal with those in a little bit of detail.
And then at the end I'll, take you through my translation of the Marke scheme.
This comes from my guide to the literature exam, which will be out next week.
Anyway, I'll take you through this to show you why it gets full marks right at the beginning of the essay you always want to write about the form.
Now, this is a really interesting form that Duffy has used here.
So she starts off with a trochaic meter and in trochaic meter.
It means a first syllable is stressed.
So in his dark room, he is finally alone.
So you can see how that stresses the first syllable, but in the next line, she swaps that to the opposite of trochaic.
It is I ambach with spools of suffering set out in ordered rows.
So she changes the rhythm.
Now, what that does immediately is it unsettles us.
We've got one rhythm in this one trochaic, one rhythm in that one.
I ambach and were immediately puzzled and thrown so straight away.
You've got some subject terminology, there, trochaic and iambic, pentameters and you're able to use that to talk about Tuffy's purpose, which was to unsettle us brilliant.
Well.
Now we can start to look at the individual words and show how they work.
So in his darkroom, he's finally alone, she uses symbolism here.
So the darkroom is literally the place that old film used to be developed, you know when people had spools of film.
And this was inside your camera.
You took the spools out, and you developed them in a darkroom, and you had to make sure that the light didn't get to the negatives.
So you could only have a red light in there.
Anyway, you can google that if you want, but the point of this is that's used.
Symbolically, it suggests that his purpose is dark.
So immediately we're questioning the moral purpose of the war photographer is he a dark person or only recording dark events.
Then we have this interesting idea that he is finally alone.
So he's, obviously, a loner.
This sounds like with the word.
Finally that he's really pleased at last to be on his own perhaps he's, someone who doesn't like humanity, perhaps he doesn't think men can be good because of what he's seen in wartime.
So it challenges our expectations.
Then we have another double meaning.
The spools are literally what you would call unraveling the negatives.
It was on a spool, and you don't roll it.
But we've got this idea of spools of suffering it's, a brilliant metaphor.
So each photograph conveys suffering in there.
We've got some more subject terminology.
This alliteration of the S sound is called sibilants.
And here it's a soft sound, but also sinister.
So it gives us the idea that what he's doing is sinister, not just the photographs themselves.
But being a public observer of it and not interfering.
And then if we work to the end of our couplet, the photographs are being set out in ordered rows.
But this is obviously an allusion to death because the semantic field here that we're being given is of a graveyard.
We imagine gravestones set out in ordered rows and were used to this sort of image in war cemeteries.
So we've got an image straightaway of this photographer who is earning his living through other people's death and that's, the central moral dilemma.
At the center of this poem does the war photographer profit by other people's death, or is his job because it is a male in this poem to try and prevent further deaths by exposing.
What death is really like my next quotation is a rhyming, couplet, ma, mass and grass, it's, actually a half rhyme here and the half rhyme again is a structural feature and it's there to unsettle us.
Also we have that trochaic I am Big Creek, a priest, preparing so not stressed priest stressed, preparing.
So this is iambic, but then here Belfast Beirut, pnom Peng.
Now we've got trochaic and again, she puts this two different patterned lines together to unsettle us.
Now let's, look at the alliteration of priest, preparing the consonants of the repeated peas feels quite violent.
These are called plosive sounds as in explosion, plosive so it's, a violent sound, which links us to how these people have died this.
Again is a metaphor.
So when he's developing the photographs, he is like a priest.
So somebody who is godly.
Now, this is used, ironically, because what he's doing is recording death here, it's as low he's in toning, a mess, the priest will help the soul into heaven.
Of course, the photographer is doing nothing of the sort the photographer is just recording death there's, no record of heaven in what he's doing.
And perhaps Duffy is suggesting that it's ironic because God does not exist.
There is mass slaughter in the war, what God could allow this.
So she may be pointing now this metaphor, ironically to get the reader to question, whether there is indeed a god.
Now we have this list thing and it's quite sophisticated here.
It starts near home.
This is Northern Ireland.
And then we get the Middle East, and then we get Southeast Asia, but crucially, these conflicts get bigger and bigger and bigger.
So this is part of a city.
This is a whole city, and then this becomes a whole country.
And then we have a biblical allusion here.
All flesh is grass and it's often used in order to excuse death.
This metaphor basically means we are born to die.
And therefore we should not complain about death.
Now in the Christian message, we don't complain about death, because when we die, we go to heaven, and so it can be seen as a positive experience.
However, if Duffy has already suggested in this line that there is no God.
Then here treating all flesh as grass is an ultimate tragedy and it's, a travesty it's treating human beings, as though they are no more than vegetable they're, completely worthless and their lives and their deaths do not matter to the perpetrators to the killers.
And by extension, perhaps also to the photographer, perhaps the photographer is thinking these thoughts and therefore death as no longer got the power to shock him.
Now that could be ironic because he wants to feel the pain of death because he wants his readers to feel the pain of that death.
These photographs go into the newspapers after all, because he wants to change the world.
He wants war to stop.
But an ironic consequence of that is that he himself is now no longer able to feel that pain.
So he sacrifices his own humanity in order to make his readers more human.
So that's one possible interpretation, again, Duffy plays with metaphor again.
So we're.
Now watching a photograph develop, and the image feels like a half-formed ghost, because as the image develops in the solution, you see the outlines be coming more and more solid.
So as its developing, it looks like a ghost it's faded.
However, again, we've got the semantic field of death here.
So she deliberately reminds us that the person in the photograph is probably dead.
And then we have.
He remembers the cries of this man's wife, how he sought approval so what's interesting now is he can't really focus on the dead person.
He's focusing on on that person's wife, who is living and her cries.
He puts cries at the end of the line to emphasize the pain that she's feeling.
And then he contrasts that with his own feelings, which are seeking approval.
Now it's like he's, asking permission to be allowed to photograph this execution.
Now Duffy has in mind a famous image, which I won't show you.
And the reason I won't show it to you is, you will end up writing about it in the exam and so that's, what she's definitely writing about them.
And of course, it's not definite.
But as this famous photograph of a policeman executing a member of the opposition, army shooting him in the street while people are watching on and it's taken the split second before the trigger is pulled and Duffy writes this.
As though the photographer is pointing the camera at the husband who's about to be killed, but looking with his eyes at the wife, who's crying because he's just about to be executed.
Now that approval is not given.
So he looks for that approval.
But it does not arrive.
He takes the photograph anyway.
So this again is a moral dilemma is he taking this photograph in order to show how horrific war is and therefore prevent it? Or is there a voyeurism involved? Here is there an intrusion on this private grief is it stealing something that does not belong to him? Well, the answer comes in this green quotation.
So he imagines the photograph in newspapers, the readers eyeballs, prick with tears between the bath and pre-lunch beers.
So we got internal rhyme going on here, which makes this line feel jolly.
And that of course, is done, ironically, because what these readers should be feeling is shock and horror.
And he uses that sorry, Duffy uses that to contrast with the emotion, which should be tears.
But here the readers eyeballs, prick with tears that prick is tiny.
And it suggests how few the tears are, and it also conveys that they don't fully form.
So the emotion just isn't there.
So although he sought approval to take this photograph, it has not had the desired result of really transforming how the readers view the war.
In fact, they forget about it completely.
They literally wash it out by taking a bath, and then they get drunk.
So here Duffy is suggesting that modern people depend on the suffering of others, but they ignore that suffering.
And perhaps they've medicate themselves through the beers.
So they don't have to face their consciences.
They had to face what happens in the third world.
They don't have to face these wars that are happening in in foreign lands.
And the refugees don't have to be housed in our country.
You know, we can just ignore what's going on around the world and other people's suffering, despite the photographer's best efforts.
He has no impact.
So ultimately, Duffy portrays, this man's life as a tragedy.
His life's work has ruined his own ability to feel it's made him as we saw at the very beginning of the poem, only enjoy his own company.
He is now alone, but his reward which he hoped for to change the way other people viewed the world.
And viewed war has not happened.
So all his efforts have for nothing.
She then ends with a final rhyming couplet now, ending with a couplet suggests a sense of completeness its rounded off, you know, the two lines rhyme together, but this is done and ironically, because there is nothing complete about what the photographer feels from the aeroplane.
He stares impassively at where he earns his living, and they do not care.
So it's ambiguous.
Here is he staring out at Britain as he leaves and goes back off to war or is he staring impassively at the war.
He is leaving to return back to Britain.
But either way his stare is impassive it's without feeling.
In other words, Duffy is saying that ultimately the war photographer has been destroyed by his role.
He is unable to feel pleasure at coming home or pleasure at providing a service in the war that he's in he's, not going to make that country any better and he's, not going to make his own country, any better and he's just left with this desperation to make the people at home care enough to change the war.
But actually they don't and then there's.
This final irony that feeding this limited amount of emotion in people is how he earns is living and it's a terrible irony because it's the fact that he is living, and they are dying that this poem is about.
And once more to give us this idea of how unsettled he feels Duffy plays with the trochaic and iambic again, hopefully you'll spot, which of those is trochaic.
And which of those is I ambach.
So he earns his living, that's, unstress, stress, that's iambic.
And from the aeroplane, he stares impassively and that's trochaic.
So the stress is on from the aeroplane again.
You've got use of that idea.
Now she deliberately unsettles us with this change of meter this change of rhythm.
Okay.
So when we've been talking about the iambic and trochaic structure, that is also a discussion of form, it's also been a discussion of structure.
Every quotation we've looked at the literary techniques, the alliteration in particular sibilants, the metaphor.
Now having the ability to look at the opening.
And then the ending shows us the journey that the character has been on.
So we've explored his hopes, and then how the hopes are dashed at the end, and that gives us an argument that we're making throughout the essay and I hope you can see that's how the phosphate works it's designed to get us the very top marks.
So if we quickly now look at the very top of the mark scheme, we can see how the phosphate has forced us to get full marks so it's, a conceptualized approach.
Well, what that means is, we had an argument at the beginning, and we showed how that character developed that we had a concept we're, obviously writing about the full task.
Because we moved from the beginning of the poem to the end.
So writing about the opening in the end shows the examiner you're writing about the full task, we're, not writing about every quotation we're, just having five.
And that makes our analysis judicious we're using judicious references that means well chosen well, there's gonna be a fine grained insightful analysis, because you will have remembered a lot of what I told you about each quotation, hopefully you've taken notes you're going to make flashcards.
But look, we've written about form and structure now, that's, crucial and it's, beautiful because that's in the top grade let's go down to the grade below in the grades below you can write about structure or form.
So if you don't write about both of them, you're, probably going to be well, you're definitely going to be in the grade below for that bit of your essay.
So following the phosphate forces, the examiner to put you up here.
Then they've got to ask themselves was this a convincing exploration with different interpretations and ideas? Well, yes, it was that's.
How I chose my quotations in the first place.
They were the quotations that gave you the opportunity to have more than one idea.
Now, hopefully when you make your notes you'll realize that each of these couplets that I've highlighted could be split up into different sections.
So you wouldn't have to revise both parts of the coupler.
If you didn't want to, you know, you've got enough to write your essay, however, because these appearing couplets I think they'll actually be quite easy for you to remember for the exam.
Now, your next step ought to be to try and write an essay where you compare the two poems and what I've done here is translated, the Mart scheme, not as a set of skills, but as a set of instructions about what you should do to write your essay and I've set those instructions out as assessment objectives.
And what I'd encourage you to do is watch my video on another poem or just go with your notes and then try and write your comparison ticking off each of these as you go.
Because if you do all of these things as instructions you'll get the very top grades, you'll get into the top mark band, and it would train you so that when you go into the exam, you know, you're going to be able to get grade 7, 8 &, 9 so do subscribe because I'll be doing and more of a fact I'm going to do all of the power and conflict poems.
And some of the loveland relationships all through the phosphate to show you how to streamline your revision and get the top grades.
See you soon on my channel.
FAQs
What are the key quotes in War Photographer? ›
Question | Answer |
---|---|
"All flesh is grass" | Quote from the Old Testament - meaning that Human life is not permanent and will one day end. |
"Ordinary pain which simple weather can dispel." | The pain that we face at home is nothing like that of war. This pain can be over in a matter of minutes. |
Duffy was inspired to write this poem through her friendship with someone who was a war photographer. She was especially intrigued by the peculiar challenge faced by these people whose job requires them to record terrible, horrific events without being able to help them directly.
How does Duffy present war in War Photographer? ›The most important theme of the poem is the brutality of war. Through the pictures taken by the photographer, the poet presents how shocking the effect of war is. Even the pictures threaten the poetic persona of the poem. Moreover, the last stanza of the poem depicts the ignorance of mankind.
Does Duffy admire the War Photographer? ›Duffy was the UK's Poet Laureate from 2009 to 2019. She is friends with two famous war photographers hence why she is interested in the difficulties and responsibilities posed by their role. The poem was published in 1985, ten years after the end of the Vietnam war.
What are 3 quotes from the art of war? ›- “The greatest victory is that which requires no battle”
- “Victorious warriors win first and then go to war, while defeated warriors go to war first and then seek to win”
- “If you know the enemy and you know yourself, you need not fear the result of a hundred battles.
- “The supreme art of war is to subdue the enemy without fighting.” ...
- “If you know the enemy and know yourself, you need not fear the result of a hundred battles. ...
- “Appear weak when you are strong, and strong when you are weak.”
' The repetition of the adjective 'bloody' show that the memory of the event keeps coming back to him, supporting the idea that he suffers from PTSD. It also suggests that the events of war are fulling his with guilt as his mind cannot escape what he's done; that it keeps coming back.
What is the main theme of with the photographer? ›In With the Photographer by Stephen Leacock we have the theme of insecurity, anger, appearance, confidence, acceptance and control. Narrated in the first person by an unnamed forty year old man the reader realises from the beginning of the story that Leacock may be exploring the theme of insecurity.
How is suffering shown in war photographer? ›There is a metaphor that describes the photo reels as 'spools of suffering'. All the photos are of dead people or war or horrible events that have happened because of war. This creates the serious atmosphere because it shows the materials he is dealing with and what he must share with the world.
What is the meaning of War Photographer? ›War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
Why does Duffy use religious imagery in War Photographer? ›
This religious imagery is effective in not only conveying the dedication the photographer feels towards his occupation but also because, like a priest, he too is often exposed to death and suffering.
What type of poem is War Photographer? ›War Photographer is a stanzaic poem, that is, it has four stanzas each with six lines, making a total of twenty four lines. These rhymes are full (eyes/cries... must/dust) which brings familiarity and tight closure.
What are two main themes of war photographer? ›War photographers do a very dangerous job, many are killed and injured as they must get in harm's way to get the photos they require. The poem focuses on two main themes: The horror of war. Our lack of care for the people suffering in these wars.
Why does Duffy use Caesura in war photographer? ›' The use of caesura makes the reader focus closely on the photograph the photographer is developing. Due to the use of enjambment, the reader experiences the emotion of the photographer and it helps us to understand the torment caused to him as he develops the photographs.
How is memory presented in war photographer? ›In 'War Photographer', memories evoked by the photographers are seen to cause suffering whilst in 'Piano' memories relived as a result of the music are bitter sweet and nostalgic. Both poems suggest that memories are chaotic and that, in the present, people attempt to control thoughts of things from the past.
What are 5 famous quotes? ›Quote | Who | Language |
---|---|---|
That's one small step for a man, a giant leap for mankind. | Neil Armstrong | English |
The love of money is the root of all evil. | the Bible | Greek |
The only thing we have to fear is fear itself. | Franklin D. Roosevelt | English |
The truth will set you free. | the Bible | Greek |
- “Just one small positive thought in the morning can change your whole day.” — ...
- “Opportunities don't happen, you create them.” — ...
- “Love your family, work super hard, live your passion.” — ...
- “It is never too late to be what you might have been.” —
- “Failure will never overtake me if my determination to succeed is strong enough.” ~ Og Mandino.
- “Don't be perfect. Be you. ...
- “I can be changed by what happens to me. ...
- “If your dreams don't scare you, they are not big enough.” ...
- “Do the most productive thing possible at every given moment” ~ Tom Hopkins.
The supreme art of war is to subdue the enemy without fighting. If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat.
What is a famous quote about bravery in war? ›“Brave men rejoice in adversity, just as brave soldiers triumph in war.” “America without her soldiers would be like God without His angels.” “No man is a man until he has been a soldier.” “Freedom is never free.”
What is a famous quote about stopping war? ›
"Observe good faith and justice toward all nations. Cultivate peace and harmony with all." "I appeal for cessation of hostilities, not because you are too exhausted to fight, but because war is bad in essence." "We will not learn how to live together in peace by killing each other's children."
What poem can you compare War Photographer to? ›Both ''War Photographer' and 'Exposure' present ideas about war; more specifically both poets show different aspects of the horror of war. The opening lines of each poem present very different settings.
What is the topic sentence of the War Photographer? ›Topic Sentence: It can be difficult for us to relate to suffering in faraway countries and so to make us feel angry and guilty about it Duffy has to use some disturbing and powerful images, images we would rather not think about, or really see.
Is War Photographer a dramatic monologue? ›'War Photographer' by Carole Satyamurti (1987): this poem is a dramatic monologue in which the speaker seems to be confessing before moving into past tense to remember his/her crimes.
What is theme the main message of the story? ›The term theme can be defined as the underlying meaning of a story. It is the message the writer is trying to convey through the story. Often the theme of a story is a broad message about life. The theme of a story is important because a story's theme is part of the reason why the author wrote the story.
What is the main theme of the story? ›Theme is the main or central idea in a literary work. It is the unifying element of a story. A theme is not a summary of characters or events. Rather, it is the controlling idea or central insight of the story.
What is the moral of the story with the photographer? ›In With the Photographer by Stephen Leacock we have the theme of insecurity, anger, appearance, confidence, acceptance and control. Narrated in the first person by an unnamed forty year old man the reader realises from the beginning of the story that Leacock may be exploring the theme of insecurity.
What is the paradox in war photographer? ›Paradox – chaos and suffering are now reduced to something ordered. The phrase tells us where he is, but 'dark' also hints at the subject matter of his photographs. The simile shows the seriousness of his work. This is a solemn act, almost like a funeral mass.
Why is war photographer written in third person? ›The poem is written in the third person despite it describing an emotionally fraught moment for the man. This reflects the feelings of detachment the photographer experiences at the scenes of conflict, which allow him to continue with his job.
What's the rhyme scheme in war photographer? ›There are 4 stanzas, each containing 6 lines of similar length. There is also a consistent rhyme scheme (ABBCDD) in each stanza. This regular structure represents the war photographer's attempts to find some sense of order in amongst the chaos of war – e.g. ordering the photos.
Who is war photographer based on? ›
War Photographer is a documentary by Christian Frei about the photographer James Nachtwey. As well as telling the story of an iconic man in the field of war photography, the film addresses the broader scope of ideas common to all those involved in war journalism, as well as the issues that they cover.
How did photography change war? ›As the catalogue discusses, photography served many purposes during the war. It was used to promote abolition; as propaganda for both the northern and southern causes; as an important tool in the creation of Lincoln's public persona and career; as well as for reconnaissance and tactical observation.
Why is Duffy a feminist? ›Through her poems, Duffy challenges the faith and assumption that women remain in the background and are not capable to express their thoughts against their husbands if they think that they want to.
How does the poem War Photographer make the reader feel? ›Armitage conveys to his readers the terrible trauma that many soldiers experience, and exposes to the reader how difficult it is for soldiers to adapt to normal life when they return from war.
What is the tone of war photographer? ›Duffy's tone is anger here, as she makes us question how we react to images of human suffering. The pace of the poem is quick here to emphasise this. He has to detach himself from this world in order to cope with his job and return to it once again.
What are the 5 themes of war? ›The themes are portrayal of the leader figure, portrayal of the enemy, military threat, threat to international stability and technological warfare.
What are 3 common themes about war? ›Honor, Duty, and Heroism.
What are the key themes in Duffy poems? ›Duffy's themes include language and the representation of reality; the construction of the self; gender issues; contemporary culture; and many different forms of alienation, oppression and social inequality. She writes in everyday, conversational language, making her poems appear deceptively simple.
What techniques does Duffy use? ›Duffy also makes use of several poetic techniques that contribute to the poetic language of 'Recognition'. These include alliteration, enjambment, and repetition. The latter is the most obvious and can be seen clearly in the last lines of the poem where Duffy makes use of anaphora.
What are the spools of suffering? ›“Spools of suffering” - Spool is the cylinder on which the photographing film is coiled. 'suffering' refers to the amount of grief and pain are contained in those spools. It is an example of TRANSFERRED EPITHET; it is not the spools that are suffering but rather the people inside the photographs.
What structure is War Photographer? ›
The poem is laid out in four regular six-line stanzas, with each stanza ending in a rhyming couplet. This structure is interesting since its very rigid order contrasts with the chaotic, disturbing images described in the poem.
What does Poppies compare to? ›How does Poppies and one other poem present memories? Remains, by Simon Armitage and Poppies, by Jane Weir are both poems written to show the impact of memory on different people. Remains focuses on the traumatic memories of a soldier while Poppies is linked to the memories of a bereaved mother.
What is a famous quote about war heroes? ›Quote | Who | Language |
---|---|---|
That's one small step for a man, a giant leap for mankind. | Neil Armstrong | English |
The love of money is the root of all evil. | the Bible | Greek |
The only thing we have to fear is fear itself. | Franklin D. Roosevelt | English |
The truth will set you free. | the Bible | Greek |
- The truth of the matter is that you always know the right thing to do. ...
- The battle, sir, is not to the strong alone; it is to the vigilant, the active, the brave… – Patrick Henry.
- Victory belongs to the most persevering. –
“You don't take a photograph, you make it.” “When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” “The more pictures you see, the better you are as a photographer.”
What are three famous quotes? ›- The greatest glory in living lies not in never falling, but in rising every time we fall. - ...
- The way to get started is to quit talking and begin doing. - ...
- Your time is limited, so don't waste it living someone else's life. ...
- If life were predictable it would cease to be life, and be without flavor. -
"Observe good faith and justice toward all nations. Cultivate peace and harmony with all." "I appeal for cessation of hostilities, not because you are too exhausted to fight, but because war is bad in essence." "We will not learn how to live together in peace by killing each other's children."
What is a war quote about bravery? ›- "Courage is resistance to fear, mastery of fear - not absence of fear." - ...
- "Courage is not the absence of fear, but rather the judgment that something else is more important than fear." - ...
- "Valor grows by daring, fear by holding back." -
Hardest battles are given to the strongest soldiers..
What is a famous military quote on discipline? ›George Washington
“Discipline is the soul of an army. It makes small numbers formidable; procures success to the weak and esteem to all."
What is a slogan for a photographer? ›
- Capturing the beauty of your journey.
- Clicking precious moments.
- The leader in photo excellence.
- Our cameras work like our minds.
- Helping you remember your special day.
- Your life in print.
- We love what we do, and it shows.
- Memories that last forever.